#Diego modena biografia how toMost other service, neighborhood services aside, is focused on the community of scholars, where Tom mentors, provides writing, publishing and networking advice, deals with hiring and tenure and, above all, on how to teach well. It is a rare historian who learns about dentistry for giraffes (no, not up a ladder!) and the mating habits of cheetahs, who lose interest when there is no competition. #Diego modena biografia seriesTom has spent six years as a member of the board of Toronto Zoo, and ran the speakers' series for the membership. Behind the foolery and fun is serious purpose: students should step outside their daily selves, stretch mind and imagination, let loose a bit, and think with every corner of their brains. Meanwhile he also finds himself entangled in the history of orality in both Italy and elsewhere and he has a side project on reciprocity, trust, and entanglement in a weakly governed world.Īs for teaching, Tom Cohen tells students “to expect the unexpected.” He uses drama, as orator and ham (he has a frightful wig good for Descartes, and an accent to prove ‘zat he tinks and zerefore he exists’), and hauls students down front in lecture to be Saint Francis and the Terrible Wolf of Gubbio, or sets one half a lecture hall to be angels for the prosecution against a crusader who sacked Christian Constantinople – should he go to Hell or Purgatory, or straight to Heaven for good intentions gone awry? He sometimes lectures utter nonsense, mixed with sense, and then asks students to find his errors. His current main project is a book on a rebellious village high in mountains east of Rome. As a social historian with a Humanities inclination, employs close reading to extract the hidden esthetics of everyday language. A devotee of style and vividness in scholarly writing, he tells stories about seductions, betrayals, conspiracies, murders, and poisonings, not just for the tales themselves, but for the clues they offer about the culture of negotiation and the habits of coalition that made a distant world work. He looks to coalitions, conspiracies, trades, bluffs, dares, and wily dodges. As a writer, he often uses microhistory, telling fine-grained stories about the lives of ordinary Romans. He studies gestures and symbols and decodes actions. His take is a mix of cultural and political anthropology. Luca and Diego Fainello are two brothers who were born in an artistic family in Verona, Italy.Professor Tom Cohen (“Thomas” only when in print) works on Renaissance Italy, Rome especially, and that city’s rural hinterland. Their father was an artistic photographer and bass guitar player in a band, their mother was a singer and their grandfather, violinist, entrusting to the boys an infallible tool. This formation from house materialized in the Academy of Art of Verona. Luca, being the oldest, was the first one in seriously choosing music as a path to be followed. His decision in a certain way was the biggest catalyst for Diego, gradually taking him in the same direction. At first they were known under the name 2ttO when they sang the theme song of the program UFO Baby and that way they published a single called Grido e Canto. Then more mature, with 24 and 20 years, they change their name into 'Domino' and recorded the song "Come tu mi vuoi", before publishing their first music video. They also used to play in bars of their hometown Verona songs of musicians like Bryan Adams, Bon Jovi, B.B. In 2007 an English girl on a tour in Venice inspired Luca to write the lyrics to the song " L'amore", which was produced by Roberto Tini. With this one they entered the Sanremo Music Festival 2008 (now with the name Sonohra), a contest of Italian music from the city of San Remo in the "Giovani" (Newcomers) category and the night of their presentation Sonohra gave a performance as if it was their last spectacle.
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